The gutter can warp your art in ways you didn’t plan. Learn from my mistake to keep your spreads safe and your focal points intact.

This illustration series began with a quick character study and unfolded into a memory of childhood dance — dress-up sessions with my sisters, 90s Bollywood nostalgia, and the confidence and community that dance gave me. It’s the first thread in my new illustration portfolio, rooted in childhood memories and emotional storytelling.

One of the best pieces of advice I got at BCBF was this:
“Draw from childhood memories. What did you love then?”

Because really, how can we draw for children without remembering what we truly loved as children?

So I started asking myself: what did I love?

I didn’t choose illustration just to get hired. I chose it because I’ve always loved stories — in every form. It’s what carried me through years in research and nonprofit work. Illustration was supposed to be an extension of that. Not a reinvention of the rat race.

I’ve been toying with the idea of making work with fabric, especially old clothing that’s not suitable for donations. But I’ve also been really terrified of failing at this new medium. I started reading Show Your Work (thank you austin kleon) and honestly, yes to being an amateur. Yes to not being a genius and bringing my authentic self.

Exploring the right to give ourselves the permission to own a professional label, and what it takes to get there.

Revisiting old art concepts can reveal personal growth, offer creative play, and refine techniques.

How I found my way to art again